The images, the message, the colors.
A few weeks away from the 2015 Venice Art Biennale, I think it's worth remembering one of my favorite works from the last edition.
Richard Mosse's ability to capture images, combined with the technical choice of using vintage Aerochrome film, drives even more attention to the war-thorn people and landscapes of the Democratic Republic of Congo.
Just as the film is able to capture the infrared spectrum, Richard Mosse was able to make visible the invisible reality of this forgotten conflict.
Ⓒ Frieze - The film was shown in the Irish Pavilion at the 55th Venice Biennale and was the 2014 winner of the Deutsche Börse Photography Prize.